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Home Curriculum Faculty Application Fees and Deadlines Student Guide Accepted Participantss Chamber Assingments Travel Information Viana Do Castelo Visitor Information Sonic range of instruments woodwind group covers the entire amount of orchestral music to kontroktavy to note si fourth octave (a small flute). You can say that the nature of sonority of instruments is not in contradiction to relevant tessitura. Formation of the whole woodwind group in the form in which it occurs at present, falls into the second half of the XIX century. Around the second half of the XIX century can be attributed mostly to all established by that time improvements in device tools woodwind group. Woodwinds are usually hollow wooden tube with cylindrical channels (for flute and clarinet) or conical (for oboe and bassoon) form. The height of sounds on all woodwind instruments is regulated by varying degrees of stress labial, facial and neck muscles (called embouchure) Executive and the appropriate use of the mechanism for closing and opening drilled in the tool body sound holes. When playing woodwind instruments engineering components are: a) possession of ear pads (muscles of the lips, face, neck), from a special development which depends on the ease, flexibility and sound quality; b) ownership of the mechanism of respiration, on which depends the strength, duration, thinning of sound; c) the development of fingers on a special train which depends on control mechanism, and with ear pads, mobility and dexterity in the sequence of sounds; d) development of language; d) Ability to coordinate all of the components of technology in accordance with the performance of the musical phrases, passages, melodies and work as a whole. When comparing the group of woodwind instruments from the string group can point to their differences. In the group of woodwind instruments, each musician is a soloist, it is the only performer entrusted to him by the party. Woodwind do not have the homogeneity of timbre, register and dynamics so typical of string instruments. Each instrument is clearly different and characteristic. Dynamic range of woodwinds in general much more limited compared with stringed instruments. Thus, if the piano sonority power of one party woodwind instrument is approximately equal to one party bow (the party first or second violins, violas party.), The forte of one party the power of sonority woodwind instrument is approximately two times weaker than the one party bow. In the woodwind group instead of force of energy, richness and massiveness primarily serves vividness and specificity. This group does not have the dynamic range and diversity of nuances, which has bowed group. On external brilliance, technical virtuosity instruments woodwind group in the total mass is also inferior to bow. For example, if a virtuoso cadenza in individual woodwind instruments. sound brilliantly and effectively, the mass of the group as a whole there is less flexibility, mobility and ability to sudden transitions from one shade to another. Total playing woodwind instruments tired listener's ear rather than the sound bow.